All our Concord waters have two colors at least; one when viewed at a distance, and another, more proper, close at hand.—Walden
Almost the very sands confess the ripening influence of the August sun, and methinks, together with the slender grasses waving over them, reflect a purple tinge.—"Autumnal Tints"
Already, by the first of September, I had seen two or three small maples turned scarlet across the pond, beneath where the white stems of three aspens diverged, at the point of a promontory, next the water. Ah, many a tale their color told!—Walden
[A]nd even the sepals from which the birds have picked the berries are a brilliant lake-red, with crimson flame-like reflections, equal to anything of the kind,—all on fire with ripeness—"Autumnal Tints"
Brown is the color for me, the color of our coats and our daily lives, the color of the poor man’s loaf. The bright tints are pies and cakes, good only for October feasts, which would make us sick if eaten every day.—Journal, 28 March 1859
English literature, from the days of the minstrels to the Lake Poets,—Chaucer and Spenser and Milton, and even Shakespeare, included- breathes no quite fresh and in this sense wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wilderness is a green wood,—her wild man a Robin Hood.—"Walking"
From the right point of view, every storm and every drop in it is a rainbow.—Journal, 11 December 1855
How much of beauty—of color, as well as form—on which our eyes daily rest goes unperceived by us!—Journal, 1 August 1860
I must call that swamp of E. Hubbard's west of the Hunt Pasture, Yellow Birch Swamp. There are more of those trees than anywhere else in town that I know . . . The sight of these trees affects me more than California gold.—Journal, 4 January 1853
If any part of nature excites our pity, it is for ourselves we grieve, for there is eternal health and beauty. We get only transient and partial glimpses of the beauty of the world.—Journal, 11 December 1855