A man at work on the Ledum Pool, draining it, says that, when they had ditched about six feet deep, or to the bottom, near the edge of this swamp, they came to old flags, and he thought that the whole swamp was ounce a pond and the flag grew by the edge of it.—Journal, 22 October 1858
A thrumming of piano-strings beyond the gardens and through the elms. At length the melody steals into my being. I know not when it began to occupy me. By some fortunate coincidence of thought or circumstance I am attuned to the universe, I am fitted to hear, my being moves in a sphere of melody, my fancy and imagination are excited to an inconceivable degree. This is no longer the dull earth on which I stood.—Journal, 3 August 1852
Ah, that l have known! How hard it is to remember what is most memorable! We remember how we itched, not how our hearts beat.—Journal, 11 June 1851
All change is a miracle to contemplate; but it is a miracle which it taking place every instant.—Walden
Already, by the first of September, I had seen two or three small maples turned scarlet across the pond, beneath where the white stems of three aspens diverged, at the point of a promontory, next the water. Ah, many a tale their color told!—Walden
And so the seasons went rolling on into summer, as one rambles into higher and higher grass.—Walden
And, above all, there is this difference between resisting this and a purely brute or natural force, that I can resist this with some effect; but I cannot expect, like Orpheus, to change the nature of the rocks and trees and beasts.—"Civil Disobedience"
Books of natural history make the most cheerful winter reading. I read in Audubon with a thrill of delight, when the snow covers the ground, of the magnolia, and the Florida keys, and their warm sea breezes; of the fence-rail, and the cotton-tree, and the migrations of the rice-bird; of the breaking up of winter in Labrador, and the melting of the snow on the forks of the Missouri; and owe an accession of health to these reminiscences of luxuriant nature.—"Natural History of Massachusetts"
But let us hear a strain of music, we are at once advertised of a life which no man had told us of, which no preacher preaches. Suppose I try to describe faithfully the prospect which a strain of music exhibits to me. The field of my life becomes a boundless plain, glorious to tread, with no death nor disappointment at the end of it. All meanness and trivialness disappear. I become adequate to any deed. No particulars survive this expansion; persons do not survive it. In the light of this strain there is no thou nor I. We are actually lifted above ourselves.—Journal, 15 January 1857
Every part of nature teaches that the passing away of one life is the making room for another.—Journal, 24 October 1837