These two are prevailing grasses at this season on dry and sandy fields and hillsides. The culms of both, not to mention their pretty flowers, reflect a purple tinge, and help declare the ripeness of the year.—"Autumnal Tints"
To walk in a winter morning in a wood where these birds abounded, their native woods, and hear the wild cockerels crow on the trees, clear and shrill for miles over the resounding earth, drowning the feebler notes of other birds,—think of it!—Walden
Was awakened in the night to a strain of music dying away,—passing travellers singing. My being was so expanded and infinitely and divinely related for a brief season that I saw how unexhausted, how almost wholly unimproved, was man’s capacity for a divine life. When I remembered what a narrow and finite life I should anon awake to!—Journal, 19 April 1856
We have the silver and the golden birch. This is like a fair, flaxen-haired sister of the dark-complexioned black birch, with golden ringlets. How lustily it takes hold of the swampy soil, and braces itself! And here flows a dark cherry-wood or wine-colored brook over the iron-red sands in the somber swamp,—swampy wine. In an undress, this tree. Ah, time will come when these will be all gone.—Journal, 4 January 1853
We love to see any redness in the vegetation of the temperate zone. It is the color of colors.—"Autumnal Tints"
We should read history as little critically as we consider the landscape, and be more interested by the atmospheric tints and various lights and shades which the intervening spaces create, than by its groundwork and composition. It is the morning now turned evening and seen in the west,—the same sun, but a new light and atmosphere. Its beauty is like the sunset; not a fresco painting on a wall, flat and bounded, but atmospheric and roving or free.—A Week on the Concord and Merrimack Rivers
What a faculty must that be which can paint the most barren landscape and humblest life in glorious colors!—Journal, 21 August 1851
What are the natural features which make a township handsome? A river, with its waterfalls and meadows, a lake, a hill, a cliff or individual rocks, a forest, and ancient trees standing singly. Such things are beautiful; they have a high use which dollars and cents never represent. If the inhabitants of a town were wise, they would seek to preserve these things, though at a considerable expense; for such things educate far more than any hired teachers or preachers, or any at present recognized system of school education.—Journal, 3 January 1861
Where is the literature which gives expression to Nature? He would be a poet who could impress the winds and streams into his service, to speak for him; who nailed words to their primitive senses, as farmers drive down stakes in the spring, which the frost has heaved; who derived his words as often as he used them,—transplanted them to his page with earth adhering to their roots; whose words were so true and fresh and natural that they would appear to expand like the buds at the approach of spring, though they lay half smothered between two musty leaves in a library,—aye, to bloom and bear fruit there, after their kind, annually, for the faithful reader, in sympathy with surrounding Nature.—Cape Cod
Who knows what beautiful and winged life, whose egg has been buried for ages under many concentric layers of woodenness in the dead dry life of society, deposited at first in the alburnum of the green and living tree, which has been gradually converted into the semblance of its well-seasoned tomb—heard perchance gnawing out now for years by the astonished family of man, as they sat round the festive board—may unexpectedly come forth from amidst society's most trivial and handselled furniture, to enjoy its perfect summer life at last!—Walden
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